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If you've heard other players referring to mysterious creatures such as a "flat seventh," "two-five-one," or "sixth intervals," and don't know what they're talking about, you need to find out quick. This simple chunk of knowledge will help you with your entire understanding of not only the guitar, but of music itself. Here's the lowdown: The notes or "steps" of any scale - major, minor, modal, whatever - are often referred to by number, or by "interval" name (which is based on the scale step number). This numbering system then carries over into the naming of chords, chord progressions, and more. For example, the chord designation C7 indicates the chord has the flat seventh note of the C scale on top of a regular C chord. A simple blues or rock song based on the familiar I-IV-V (one-four-five) chord progression includes chords built on the first (I), fourth (IV), and fifth (V) scale steps of the chosen key. (Musicians commonly use Roman numerals when defining chord progressions, for more on this subject see tip #6.) The numbers of the scale steps (and interval names, such as "major third") are the same regardless of the key, as long as it's a major key. Here is a C major scale, with the numbers and interval names of the scale steps:
Numbering works the same with a minor scale or key, but the interval names change in some cases. Again, regardless of key, all minor keys have the same sequence of scale steps. Here is an A minor scale:
To understand all the possibilities of number and interval name you might some day encounter, especially if you play modally, or use extended or altered chords (such as a minor 7th flat 5th chord), you'll want to analyze a chromatic scale. A chromatic scale includes all 12 notes in one octave. Here is a C chromatic scale:
Copyright 2003 Hal Leonard Corporation
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